Indian summer is the
summer after summer. It’s that period of time – a few days or a few weeks – of
warm air, wide open skies, and stillness, summer’s last stand before the chill
of autumn sets in.
Growing up, I always loved Indian summer. I still do. It
feels like a secret. Regular summer is all loud and bro – high fives, keggers, and
backwards caps. Indian summer is for introverts – long walks, long shadows,
deep thoughts, and a tinge of melancholia. Its rewards are subtle, spiritual
even.
Is the phrase “Indian summer” racist? It might be. It’s
hard to say. No one really knows how the term originated. Some sources suggest
fairly innocuous origins. Others claim it’s a euphemism for “false” summer, as
in shifty and deceitful, like “Indian giver” – a racist epithet for someone who
gives you something and then takes it right back. Either way, naming a weather
pattern after a category of human beings is probably ill-advised, or at least
silly. Try these on – Irish Spring, Asian Autumn, Latvian Winter – and you quickly
see how empty and meaningless they are. Even if the phrase Indian summer isn’t
explicitly racist, it’s tainted by the slight possibility that it might be.
And yet Indian summer lingers on.
As a boy the whole idea of Indian summer captivated me.
Like a lot of young white kids growing up in the United States, I fell in love
with Native American culture, or rather, my image of it. I mean, these people
were always camping. How cool was
that? They hardly wore any clothes. They didn’t sit behind desks in stuffy
classrooms. They didn’t have homework. They learned by doing stuff, not by
reading about other people doing stuff. While my life seemed utterly
constrained on all sides by social expectations nobody remembered creating, Indians
roamed free through forest cathedrals, bathed in shafts of light, and drinking
cool, clear water from unpolluted streams. But there was one problem. This was
all a Romantic projection. I didn’t know much about real Native Americans. I’d
seen some movies. I read a few books. I’d lingered for hours in front of the
dioramas at the Santa Barbara Natural History Museum with their miniature
depictions of Chumash life in prehistoric Ventura and Santa Barbara counties.
I’d hiked the coastal foothills and come upon pictographs in caves and foot-holds
carved into steep canyon walls from a time before the Rancheros. I felt their
presence in dry stream beds beneath the sycamores and on the long curve of empty
beaches at dawn. Even the California missions, in many ways their sepulchers,
reminded me more of the Native people who built them than the padres who prayed
inside of them. Though their time had come and gone, the First People felt more
present to me than myself. Such is the dizzying confusion and wild imagination of
adolescence.
In the 18th century, when Europeans were first
learning about Native Americans, many of them fell under a similar spell.
Influential writers and philosophers wrote glowingly of the “Noble savages”
that roamed the untouched wilderness paradise of the Americas. For these
European intellectuals the existence of Indians provided evidence for their
assertion that “Natural man” was in every way superior to his European
contemporaries. Society, Jean-Jacques Rousseau argued, turned us into phonies
and fakes. Christianity compelled us into conformity, and polite society forced
us all behind masks. In Native Americans many European elites saw the hope of
humanity – that it was possible to return to what Rousseau called a “state of
nature” and reclaim our original goodness.
But the sad fact was, these Europeans didn’t know the
first thing about Native Americans. It was all made up. They projected their
own needs onto the Native people of the Americas without their knowledge or
consent. In a very real sense, this phony affection was as racist as the genocidal
hatred that followed.
My captivation with Native American culture was all
wrapped up in my dawning environmentalism. Moving into my teen years in the
seventies, I grew increasingly aware of the terrible costs of industrial
civilization – pollution, resource depletion, habitat destruction, and mass
extinction. My already acute melancholia grew to alarming proportions. And so
did my resentment. More and more it seemed to me that the Native Americans, and
Original Peoples all over the earth, had it right, and that we ignored their
wisdom at our own peril.
All of this came to a head every Indian summer. When the
hubbub of summer faded, when school was back in session, when the tourists packed
up and left, my hometown of Ventura returned once again to its quiet, natural
rhythms. The leaves began to lose their verdant urgency. A slow fade fell over
everything. But the sun shone in the sky with a familiar ferocity. By October
the ocean water got warmer – warmer than June, warmer than July, and warmer
than September even. Surfing in the early evening after school, Venus rising in
the twilight, the Channel Islands silhouetted against the darkening sky, I
could almost hear the river-reed canoes of the Chumash oarsmen slapping the
water as they plied the channel on their long journey home. But it was probably
just my surfboard.
Growing older means growing wiser. At least it’s supposed
to. And as we all get better at examining our unconscious biases we feel freer
and lighter with each passing year. There’s nothing better than finally
admitting that you’ve been wrong all these years. It feels good to let go of bad
old ideas. As the Zen saying goes, “How refreshing, the whiny of a pack horse
unburdened of everything.” Maybe we can do without the phrase “Indian summer.” But
if we all decide it isn’t harmful, maybe we can keep it. To me, language is
poetry – all of it. Not always good poetry, but poetry none the less. And
Indian summer is a two-word poem packed with deep meaning and beautiful power. It
is a love-word, a word that at least tries to get at something real, something
profound. Like all the best language, “Indian summer” tries and fails to
express something that cannot be expressed.
So in these long, last days of Indian summer, before all
of the leaves fall and clatter down the street in colorful drifts, take a walk
along the river or through the forest or down the streets where you live and
let the ghosts of what was and what will be move through you like smoke from long-ago
fires. Hear the voices of ancient songs in the wind, songs no one ever wrote
down. Feel the warmth of the sun on your face. Move out of your knowing and
into your being. Let your edges grow soft, your boundaries diaphanous. Let
everything in and everything out. Know the whole of the world as yourself, and
all sentient beings as expressions of the same spirit that animates you. Feel
yourself disappear and surge forth all at the same time – a paradox your mind
cannot grasp but your heart fully understands. These fleeting forms, this
passing light, this glorious, ephemeral Indian summer – let it be the prayer
you long to say, but never could.