Rock and roll’s been around for a
long time. For young people, it’s the music of their grandparents. Yet its
eternal coolness remains intact. The rock and roll sensibility keeps rearing
its head in every new wave of music. Fashion and hair styles change. Aesthetic
tastes evolve. But, as Huey Lewis sang, “the heart of rock and roll is still
beating.”
The perennial allure of rock and
roll speaks to its deeper nature. “Rock and roll” is no mere genre descriptor –
it’s a whole attitude, a mode of consciousness, a way of life.
Mommies everywhere extol their
toddlers with the accolade “you rock” for the triumphant accomplishment of not
pooping in their pants. Nine year olds who bring home an A on their math test
are crowned “rock stars.” Sixteen year
olds on their first job who successfully change out the oil in the deep fryer
are praised by their bosses with a “rock on man, rock on.” On a literal level,
continence, math skill, and proficiency in deep fryer maintenance seem utterly
unrelated to the mesmerizing, hip-shaking shamanism of Jim Morrison, yet there
it is. It makes sense. There’s something about rock and roll and rock stars
that has come to stand for any human achievement involving risk, courage, and
accomplishment. So what are we really saying when we call someone a rock star?
A rock star personifies courage.
They are willing to risk everything to step out on stage and lead a hungry crowd
on a Dionysian journey through the bowels of their own longing. A rock star has
to overcome the natural proclivity of any artist for isolation. They don’t play
it safe. They leap into the breach risking rejection, failure, or worse – the
yawning chasm of their own irrelevance and ineffectiveness. They put themselves
to the test and live with the consequences. Will their art move people, or move
them toward the door?
A rock star is reckless. They
engage in high risk backstage behaviors, they play dangerously loud, they jump
off of scaffolds to crowd surf and act like they’re immortal. Some of them die
young. They don’t seem terribly interested in longevity or prudence. Instead,
what’s important is this moment, this experience, this feeling. Sure, it may
not be smart. But we live vicariously through our rock stars and secretly revel
in their revelry. They have the audacity to believe that no matter what,
they’re going to be o.k.
A rock star is audacious, impudent
even. In other words, they’re not terribly interested in respecting or
conforming to your narrow definition of propriety. Their very existence is an
affront to the polite sensibilities of the careful people in their Dockers and
minivans. Rock stars cuss, spit, wear jeans to formal soirees and drink too
much. Their hair is a mess. They have sex whenever, wherever, and with whomever
they please. Like trickster gods they are hell bent on shattering every
cultural norm and giving voice to every impulse on the human spectrum, licit
and illicit. We disapprove of their excess just as we thrill at their abandon.
In their freedom we feel our own limitlessness.
A rock star sacrifices themselves
for the greater good. Like a hero in a classic myth, the rock star leaps into
the abyss to wrestle with the demon. By their willingness to face their own death,
we are all resurrected. On the surface, a rock star may seem the very portrait
of self-obsession. But it’s all part of the act. They are playing a role. And
in their play-acting, they model for us the quality of selfless service. Like
any hero, they leave the known world with its well-defined boundaries and its
value system rooted in safety and security, trading all this for the madness of
the unknown. From the safety of our bounded universe we watch them careen into
chaos, hungry for the catharsis their self-sacrifice will bring. Perhaps this
is what we love most about our rock stars – their willingness to fully inhabit
a role. In our work we too long to go big, to surrender to the fullest measure
our responsibilities and tasks require of us. Yet we stay stuck in a careful
utilitarian calculation of means and ends. Once, just once, we’d love to say
what we really want to say, do what we really want to do, not out of
self-interest but in the service of our larger role. We want to fight for
what’s right and risk it all for the fullest realization of our aims. But
instead we say yes ma’am, yes sir, and crank the Led Zepplin in our cars on the
long commute home. It’s been a long time since we rock and rolled indeed.
A rock star is self-confident.
They ask a lot of themselves, and they deliver. Through years of experience
they come to learn an important fact about themselves – they know what to do
and they know how to do it. They have what it takes. Self-confidence of this
nature doesn’t have to brag or draw attention to itself – it’s evident in the
work. There’s nothing to prove and no need to compete. A certain ease exudes
from their every pore. An eerie calm fills the room when they walk in. Call it
fearlessness, call it mastery, call it whatever you want. But it can’t be
bought and it can’t be faked. You either have it or you don’t. The only way to
get it is to earn it, then own it.
A rock star is focused. This
isn’t always their most apparent feature. But beneath their Dionysian excess is
a highly organized Apollonian process. To be a successful rock star you have to
master marketing, business management, organizational dynamics, technology,
logistics, and financial planning. Not to mention an unwavering work ethic. The
work always comes first, often to the detriment of relationships, family, even
one’s own well-being. Pushing through their own laziness the rock star does
whatever it takes to achieve their aims.
A rock star is playful. Although
they may be hard working business professionals, for them the line between work
and play dissolved a long time ago. They are willing to laugh, especially at
themselves, at a moment’s notice. This is all just one big stupid game, and
they know it. They know they’re not in charge, and that luck and chance played
an enormous role in their journey to the top. They keep themselves and everyone
around them energized by slipping into playful silliness and light-hearted
frivolity as often as possible. If you’re not having fun, something is very,
very wrong.
But what’s perhaps most inspiring
about rock stars, and the main reason we use the appellation “rock star” as our
highest compliment, is their mysterious ability to integrate all of these
disparate qualities into a unified whole. By bridging the dichotomies of
intellect and intuition, focus and abandon, calculation and risk, assertion and
surrender, wisdom and foolishness, mastery and immaturity, they perfectly
champion and embody the qualities of art itself. They use their bodies, minds,
and souls to channel our deepest, most unconscious dreams and bring them to the
stage. In an opera both sublime and grotesque they turn the mysteries of the
soul into public performance and mold our gravest fears and greatest hopes into
transformative theater that washes over our senses, emboldens our hearts,
ennobles our aspirations, and calls us to our highest purpose. To paraphrase
Joseph Campbell, each of us is the rock star of our own lives, and we have our
rock stars to thank for breaking us open to that immutable truth.
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