Wednesday, February 12, 2020

Real Strength


We’re in the midst of a crisis. Many of us have mistaken cruelty for strength, bluster for wisdom, and bullying for courage. It’s time to place the wisdom of our own hearts at the center of civic life. The hard-edged extremism that passes for discourse these days has withered the gentle growth of our perennial humanity. But the good news is there’s hope. There is always hope.
            It turns out that real strength, real wisdom, and real courage have at their core vulnerability, that is, the willingness to humbly reveal our own humanity flaws and all. And when we do, something miraculous happens. Those around us lean in, listen, and join together in loving community.
            Every teacher, minster, coach, parent, or leader worth their salt knows this is true – that when you show up authentically, honestly, openly, and risk it all, a wave of electricity moves through the room. And then you hear it – the hinges of a hundred cage doors swinging open. When you model your own freedom, you give people permission to find their own. Boldness begets boldness.
            When we misread strength as force we close ourselves off from the inexhaustible spring of the universe. In our isolation fear, tribalism, and aggression take over. When, however, we come to understand strength as resilience, fluidity, and allowance we move into accord with the sacred source. The universe shimmers with possibility and abundance.
            The simple-minded think that victory is the opposite of surrender – they praise one and mock the other – but the wise know that these are two points on a circle, forever bound together in cycles of arising and fading. The sea surrenders to the cloud, the cloud to the rain, the rain to the stream, the stream to the river, and the river to the sea. Water does not see these changes as defeat. It neither seeks nor resists these transformations. They are simply allowed.
            Look how the flowers leap from the field, offering their petals to the wind and hail. They are not afraid of what’s next. They know that their strength lies not in rigidity, but in vulnerability. It is not praise or permanence they’re after – it’s the holy joining, the prayer of playing your part, the surrender into oneness.
            Vulnerability is the face of real courage. It’s the willingness to be seen, finally seen, for who and what you really are. It is the ultimate manifestation of trust – trusting the other, and trusting yourself – knowing that who you are, how you are, is enough. Nothing to add, nothing to fix, nothing to find. Sure, room to grow. But in this moment, perfect as you are. Perfect in your imperfection. Just like everything else.
            And when you can finally let go, and be bold like this, it feels as though years of weariness slip from your frame. You had not realized how exhausting it was to maintain the fa├žade, play the part, and dutifully read the script written for you by your fear and pride.
            The final reward of vulnerability is the shroud of safety it weaves around you. You know in your bones that wherever you go, wherever you are, you belong, and the world belongs to you. No more strangers. No more strange places. You have let all of that drop. Lightness fills your being. It illuminates the path before you, and lights the way for others. Your vulnerability is your greatest gift to the world. 

[A version of this piece first appeared in the March/April 2020 edition of Unity Magazine, and is reproduced here with permission.]

Saturday, February 1, 2020

The Last One


            It’s hard to say goodbye, but this is my last column for the San Diego Troubadour.
            I’ve been graced with this space since June 2007. I’m beyond grateful.
            Co-founder, editor, and publisher of the Troubadour Liz Abbott has been the kindest, most supportive partner throughout these twelve and a half long years, 152 columns, and 160,000 words. That’s a lot of support. I can never thank her enough for trusting me with this space.
            But what I’ll miss most is the connection that’s been forged with so many of you. I’ve loved all the correspondence and conversations we’ve had about this column through the years – about creativity, about art, about spirituality – and the way we walked together a while and saw things through each other’s eyes. Words have a way of doing that – of bringing people into confluence.
            My first memory as a writer was back in third or fourth grade. Our teacher had us write little one page stories and then read them aloud. When I stood up and read my story the room shifted. A strange silence, focused intensity. I’d never experienced anything like that before. No one ever paid any attention to me. I was the invisible kid.
I only remember one of the stories I wrote – it was about a cow who learned to ride a motorcycle. She rode it to the top of the Matterhorn in Disneyland. Yeah I know, what? But those kids ate it up. Their applause did something – it rearranged my DNA. For a shy, reserved kid who didn’t play sports or crack jokes or do anything to stand out, suddenly something I made mattered. A door was opening.
            Mark Harriman lived across the street. We both loved Mad Magazine, so we created our own version. Film parodies, cartoons, jokes, political stuff. We drew it with pencils and colored pens and held it together with paper clips, tape, and staples. This was before computers or copier machines even, so we only had one handmade copy of each edition. But it wasn’t the product we were after, it was the process. Our writing sessions were cool water oases in a desert of suburban banality. We finally felt alive, like something mattered. Something blissful was bubbling up from the ground beneath our feet.
            The first two books I ever bought with my own money – lawn mowing money – were Walt Whitman’s Leaves of Grass and Charles Bukowski’s Burning in Water, Drowning in Flame. Poetry was electrifying. How could mere words do that – elicit such power? I began writing my own lonely adolescent poetry. Free verse stuff, just imagery really, slivers and facets of moments. It felt like a magic trick, shining light on the shimmering threads of the ordinary world. Who knew that by simply paying attention the transcendent revealed itself so readily. Poetry, like any writing, is the art of paying attention, then rendering what you see in sentences and paragraphs that bridge others into the wonderment. It was intoxicating.
            By now I was writing songs too. Ah the awful, derivative songs of thirteen year olds. You can’t help but copy your favorite artists. All art begins as theft. And what life experience do you have to write about anyway? The bully in third period? The fact that Cammie Ramelli doesn’t know you exist? That day you lost your retainer in the cafeteria? After a while you realize that even if you try to copy Neil Young and Jackson Browne you can’t because you’re not them – it can’t help but sound different coming through your voice, your mind, and your hands. You can’t help but be yourself. Art is not something you do – it’s something you are.
            And all through high school you keep reading, reading, reading. Ray Bradbury, Mark Twain, Issac Asimov, J. R. R. Tolkien, Khalil Gibran, Ralph Waldo Emerson, Peter Matthiessen, Arthur C. Clarke, Edward Abbey, Thomas Merton, Harper Lee, Robert Heinlien, H. P. Lovecraft, Ernest Hemingway, and a hundred others. To be a writer you must be a voracious reader. Reading reveals the myriad ways language can be shaped to evoke an unending stream of experience. When you hold a book in your hands you hold proof that words send tendrils down into your soul and into the core of the earth where all the other soul-threads meet. Words reach farther than the farthest reaches of space. Words are gods that create, destroy, and resurrect. Learning the craft of writing was a calling worth my time. I’m still not very good at it – a rank amateur really. I don’t know the rules of grammar very well (that’s why there are editors). I feel my way through more than know the way. But I never tire of stumbling along, chasing the light.
            Another chapter in my life as a writer was letter writing. When a good friend Tim Forsell moved away after high school to pursue life as a mountain climber – first Colorado, and then Camp 4 in Yosemite Valley, and beyond – we started exchanging letters. Long hand-written letters. He’d share his alpine adventures, and I’d share vignettes of life on the coast. Small stories, scenes, ideas. This went on for years. I have boxes full of these letters. If you want to be a writer, write.
            As a philosophy grad student I faced another threshold – writing my master’s thesis on Ralph Waldo Emerson. I had written many academic papers by then, but this was different. It was over a hundred pages. It took a year. It damn near killed me. But I got it done.
            Then I started writing Christmas letters. This was back in the days when many of us were still sending out Christmas cards. A few people included a family newsletter, but mine was a little different. We didn’t have kids to talk about, or many travels to share, so I turned them into philosophical reflections and vignettes of life moments that seemed emblematic of the deeper significance of the holidays. This went on for over ten years.
            That’s when my brother-in-law Michael Krewitsky, owner of Pro Sound and Music, asked me to write a column for their monthly company newsletter – my first real writing job. The newsletter eventually ended, but the seeds were sown.
            I wrote a few features for a brand new music magazine called The San Diego Troubadour. I kept asking for a column. Liz eventually said yes. Stages: Philosophy, Art, Culture, and Music was born.
            I kept branching out. I wrote a book, The Seven Stone Path: An Everyday Journey to Wisdom (coming soon), and I began writing for national magazines like Unity Magazine and Science of Mind. (My column in Unity Magazine will go on.)
            So why end this column? It isn’t a question that lends itself to easy answers. It’s a body of work I’m very proud of. Having that 1,200 word deadline every four weeks for twelve and a half years was a labor of love that made me a better writer. And for that I am forever grateful.
            Looking back over all of this affirms me in my belief that if you answer the call and follow your bliss and simply show up and do what you love every day, year after year, it carves a path, a true path, a path with heart. And that is a path I will continue walking until I can’t walk anymore.